r u s t e d

Embroidery at Christian Dior Haute Couture F/W 2014, Haute Couture Week

(via 3utthole)

efedra:

1. Lilith, 1892 by John Collier
2. Yohji Yamamoto Menswear F/W 2011

efedra:

1. Lilith, 1892 by John Collier

2. Yohji Yamamoto Menswear F/W 2011

im such an open fucking wound

labsinthe:

"Natural Life" photographed by Steven Meisel for Vogue Italia 1999

You lose her for every second you make her feel less and less of the beauty that she is. When you make her feel that she is replaceable. She wants to feel cherished. When you make her feel that you are fleeting. She wants you to stay. When you make her feel inadequate. She wants to know that she is enough and she does not need to change for you, nor for anyone else because she is she and she is beautiful, kind and good.

You must learn her.

You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to.

You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept.

And, this is how you keep her.

#rrrraaaaahhhhh #magic

pradafied:

Chanel Haute Couture Fall 2014 details

tefra:

Kasia Struss by Hugh Lippe for Exit, Winter 2012

tefra:

Kasia Struss by Hugh Lippe for Exit, Winter 2012

(via obsessee)

(Source: uvre, via euo)

p-poc:

comme des garcons asymmetrical plaid top • $117 USD